sábado, 25 de diciembre de 2010

Oniria y mixtura en la esculpcriptura cavecana


Manuscrito carmesí de esta madián, como sindica pahí adebajo, a mano alzada, muñón en alto y torito en alto de la propia Consuelo da Gámaba.

Páginas del semanario local aonde vuelve a aparecer el busto tratado en anterioidad por Mossesba San. Impresionante daguerro del internado militante y del mediopensionismo en babi de cola.
Se dispara la memoria lejana.

El daguerro darriba forma parte de la expo nuó-dl-lhoricana e hilvana la espiral cávica hasta límites milanesos pos uno de ésos temas que nords tradía el Karl Pintxo era preçiçaménte el de Jabemos de de deboltar. Se cierra el primer eñisma.











Tengo pahí un guión previo para esta nuá intro que espró que no se plasme en desconcertante mezcla conceptual.
Como avisé, si no la desarrollaba pudiera ser deque quedase mohína, mojina, mojicana, mojigata, mohicona pero, como el navegar, era imprescindível.
Tánato y tánato preparativo para agora con la cogorza intentar hilvanarla.
Todo comenzó en una soirèe que me provocó la vicción de un daguerro al que sin dudar asocié al de una reciente introitación mossesbática en la que recorría la polis gaeioyumbari en road-movie.
Sumado ésto al interés dell nueso sabiador cipangués por el hecho sculpcripto la oniria surgía sola del limbo ideal y se resistía a su anulación y olvido.
No puó de de de destablecer una ficción de viaje desde la Cavecania a Nuá Dll-lhórica en honestidad argumental.
La revista moraba en la bilboazteca más próscima y venía pa la intro como pichal culo, dicho más que groseramente.
En suma:
Esta madiana, wáx por cierto, poe, conaté un guidón en tinta boli rojo, con to la moña del pedo after.
Pallí anda, en la suite de los cello, a B si puó escanearla y la meto directamente.
Buó, me biá kayar dillá a B si biás tropear la jodía ínitro con tanto preámbulo y aparente improvisación ab absurdum.
Creo que el enlace expositivo y la suma de elementos en discordia es unos de los pilares fóllicos más caudales del armazón espiritual cavecano, tanto bravwembar como gallumbaro, conllo dllá.

Empiezo por encajar en nuesa talva links a los que se ha acudido para la confección de bodriación blachica barroça:

http://www.moma.org/visit/calendar/exhibitions/970

The Original Copy: Photography of Sculpture, 1839 to Today

August 1–November 1, 2010

MEMBER PREVIEWS ON NOW

The International Council of The Museum of Modern Art Exhibition Gallery, sixth floor


View Exhibition Site »

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Since its birth in the first half of the nineteenth century, photography has offered an unprecedented way to analyze works of art for further study. Through crop, focus, angle of view, degree of close-up, and lighting, as well as through ex post facto techniques of darkroom manipulation, collage, montage, and assemblage, photographers not only interpret the works they record but create stunning reinventions. The Original Copy: Photography of Sculpture, 1839 to Today presents a critical examination of the intersections between photography and sculpture, exploring how the one medium has become implicated in the understanding of the other. Through a selection of nearly three hundred outstanding pictures by more than one hundred artists from the dawn of modernism to the present, the exhibition looks at the ways in which photography at once informs and challenges our understanding of sculpture. Addressing how and why sculpture became a photographic subject, the exhibition examines pictures that range in subject from inanimate objects to performing bodies. The Original Copy: Photography of Sculpture, 1839 to Today features major works by Eugène Atget, Hans Bellmer, Herbert Bayer, Constantin Brancusi, Brassaï Claude Cahun, Marcel Duchamp, Fischli & Weiss, Robert Frank, Lee Friedlander, Cyprien Gaillard, Robert Gober, David Goldblatt, Rachel Harrison, Hannah Höch, André Kertész, Man Ray, Bruce Nauman, Charles Nègre, Gillian Wearing, Hannah Wilke, and Iwao Yamawaki, among others. The exhibition will travel to Kunsthaus Zürich, where it will be on view from February 25 through May 15, 2011.


The exhibition is organized by Roxana Marcoci, Curator, Department of Photography.

The exhibition is made possible by The William Randolph Hearst Endowment Fund.

Additional support is provided by David Teiger and The Robert Mapplethorpe Foundation.

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Past

Member Events | Member Previews

The Original Copy: Photography of Sculpture, 1839 to Today

Wednesday, July 28, 2010, 10:30 a.m.

Thursday, July 29, 2010, 10:30 a.m.

Friday, July 30, 2010, 10:30 a.m.

Saturday, July 31, 2010, 10:30 a.m.

Lectures & Gallery Talks | Gallery Conversations

The Original Copy: Photography of Sculpture, 1839 to Today

Sunday, August 22, 2010, 1:30 p.m.

Lectures & Gallery Talks | Gallery Conversations

The Original Copy: Photography of Sculpture, 1839 to Today

Friday, September 3, 2010, 1:30 p.m.

Friday, September 17, 2010, 1:30 p.m.

Sunday, September 19, 2010, 11:30 a.m.

Sunday, September 26, 2010, 1:30 p.m.

Panel Discussions & Symposia | Adult Programs

The Original Copy: A Panel Discussion on Photography and Sculpture

This panel discussion is moderated by Roxana Marcoci, curator of the exhibition, The Original Copy: Photography of Sculpture, 1839 to Today. Panelists include George Baker, Associate Professor of Modern and Contemporary Art and Vice Chair, UCLA Department of Art History; Mark Godfrey, Curator, Tate Modern; Sarah Hamill, Assistant Professor of Modern and Contemporary Art, Oberlin College; and Rachel Harrison, artist.

Tuesday, September 14, 2010, 6:00 p.m.

Lectures & Gallery Talks | Gallery Conversations

The Original Copy: Photography of Sculpture, 1839 to Today

Friday, October 1, 2010, 1:30 p.m.

Wednesday, October 6, 2010, 1:30 p.m.

Monday, October 11, 2010, 1:30 p.m.

Wednesday, October 13, 2010, 1:30 p.m.

Saturday, October 16, 2010, 11:30 a.m.

Wednesday, October 20, 2010, 1:30 p.m.

Saturday, October 23, 2010, 1:30 p.m.

Sunday, October 31, 2010, 1:30 p.m.

Lectures & Gallery Talks | Brown Bag Lunch Lectures

The Original Copy: The Photography of Sculpture, 1839 to Today

This lecture follows the conceptual arc of the exhibition The Original Copy: The Photography of Sculpture, 1839 to Today, focusing on a selection of works that will be presented in greater depth.

Marina Chao (MA,
Columbia University) is a curatorial assistant in the Department of Photography at The Museum of Modern Art.

Monday, October 25, 2010, 12:30 p.m.

Thursday, October 28, 2010, 12:30 p.m.

Panel Discussions & Symposia | Adult Programs

The Original Copy: A Panel Discussion on Photography, Performance, and the "Living Sculpture"

Moderated by MoMA curator Roxana Marcoci, with artists Eleanor Antin and Robin Rhode. Organized by Beatrice Gross, independent curator, and MFA Photography, Video and Related Media Department, School of Visual Arts, NY

Tuesday, October 26, 2010, 7:00 p.m.

http://blog.vandm.com/2010/09/art-and-perception-original-copy.html

Yves Klein, French, 1928–1962.
Photograph by Harry Shunk, French, 1924–2006, and János Kender, Hungarian, 1937–1983
Leap into the Void. 1960
Gelatin silver print, 13 11/16 x 10 7/8" (34.8 x
27.6 cm)
The Museum of Modern
Art, New York.
David H. McAlpin Fund
© 2009 Artists Rights Society (ARS), New York/ADAGP,
Paris.
Photo: Shunk/Kender, © Roy Lichtenstein Foundation

Divided into conceptual modules representing the individual artist, time period, or a particular methodology, aesthetic shifts are seen through a stellar grouping of images from key figures in avant-garde, modern, and contemporary genres ranging from master photographers such as Eugène Atget, Walker Evans, Bernice Abbott to others known primarily as sculptors Auguste Rodin, Constantin Brancusi, and David Smith; and contemporary artists working in different mediums from Bruce Nauman, Fischl/Weiss to Rachel Harrison, among many others. Through November 1, 2010. http://www.moma.org/, (212) 708-9400.

http://www.huma3.com/huma3-eng-reviews-id-487.html

Through November 1t, MoMA presents "The Original Copy: Photography of Sculpture, 1839 to Today"

Photography - Wednesday, October 20, 2010

Through November 1t, MoMA presents "The Original Copy: Photography of Sculpture, 1839 to Today"

On view at The Museum of Modern Art from August 1 through November 1, 2010, the exhibition brings together over 300 photographs, magazines, and journals, by more than 100 artists, from the dawn of modernism to the present, to look at the ways in which photography at once informs and challenges the meaning of what sculpture is. The Original Copy is organized by Roxana Marcoci, Curator, Department of Photography, The Museum of Modern Art.

Constantin Brancusi. French, born Romania, 1876–1957 L’Oiseau (Golden Bird). c. 1919 Gelatin silver print, 9 x 6 11/16" (22.8 x 17 cm) The Museum of Modern Art, New York. Thomas Walther Collection. Purchase © 2010 Artists Rights Society (ARS), New York/ADAGP, Paris

When photography was introduced in 1839, aesthetic experience was firmly rooted in Romanticist tenets of originality. In a radical way, photography brought into focus the critical role that the copy plays in art and in its perception. While the reproducibility of the photograph challenged the aura attributed to the original, it also reflected a very personal form of study and offered a model of dissemination that would transform the entire nature of art.
Sculpture was among the first subjects to be treated in photography. There were many reasons for this, including the desire to document, collect, publicize, and circulate objects that were not always portable. Through crop, focus, angle of view, degree of close-up, and lighting, as well as through ex post facto techniques of dark room manipulation, collage, montage, and assemblage, photographers have not only interpreted sculpture but have created stunning reinventions of it.

Man Ray (Emmanuel Radnitzky). American, 1890–1976 Noire et blanche (Black and white). 1926 Gelatin silver print, 6 3/4 x 8 7/8" (17.1 x 22.5 cm) The Museum of Modern Art, New York. Gift of James Thrall Soby 2010 Man Ray Trust/Artists Rights Society (ARS), New York/ADAGP, Paris

Conceived around ten conceptual modules, the exhibition examines the rich historical legacy of photography and the aesthetic shifts that have taken place in the medium over the last 170 years through a superb selection of pictures by key modern, avant-garde, and contemporary artists. Some, like Eugène Atget, Walker Evans, Lee Friedlander, and David Goldblatt, are best known as photographers; others, such as Auguste Rodin, Constantin Brancusi, and David Smith, are best known as sculptors; and others, from Hannah Höch and Sophie Taeuber-Arp to such contemporaries as Bruce Nauman, Fischli/Weiss, Rachel Harrison, and Cyprien Gaillard, are too various to categorize but exemplify how fruitfully and unpredictably photography and sculpture have combined.

http://www.sculpture-center.org/exhibitionsCuratorsNotebook.htm

Interesante páije:

http://www.absolutearts.com/artsnews/2002/05/10/29905.html


Indepth Arts News:

"After Apartheid: Nine South African Documentary Photographers"
2002-05-08 until 2002-05-26
Sasol Art Museum, University of Stellenbosch
Stellenbosch, , ZA South Africa

The second photography exhibition in the Cape Town Month of Photography – series at the Sasol Art Museum is titled: After Apartheid: Nine South African Documentary Photographers. The political struggle of the apartheid years gave rise to a very strong tradition of socially concerned photography in South Africa. Since 1991, however, there has been little demand for such militant photography and photographers, both those already established and those at the start of their careers, have turned to less urgent, less dramatic subject matter.

Photographers might have drawn attention to the appalling living conditions of the majority of South Africans in the past. Today they tend to communicate their subjects’ ability to triumph over these circumstances. At the same time, many South African photographers appear to be exploring the potential of their medium, aspects of composition, lighting, tonality or colour to communicate in less starkly dramatic visual forms.

Photographs by George Hallet, Jenny Gordon, Andrew Tshabangu, Gideon Mendel, Nadine Hutton, Paul Weinberg, Tracy Derrick, Guy Tillin and Zwelethu Mthethwa will be included in this exhibition.

IMAGE:
George Hallet
Bo-Kaap.Cape Town
1997
Children and birds on signal street

Guy Tillim


NEWS: Guy Tillim's Avenue Patrice Lumumba travelled to the Fondation Henri Cartier-Bresson in Paris; Museu Serralves in Porto; Galleria Extraspazio in Rome; the Peabody Museum at Harvard University, Cambridge, MA; FOAM_Fotografiemuseum in Amsterdam; and Extracity, Antwerp, in 2009. In 2010 the series has shown at Kuckei + Kuckei in Berlin, and as part of a group exhibition at Galerie van der Mieden, Antwerp; it shows at Kunsthalle Oldenburg, Germany, from 21 October to 28 November, and at the Museum of Contemporary Photography in Chicago from 10 January to 5 March 2011. Group shows include Africa: Objects and Subjects at the Canal de Isabel II, Madrid, Spain (5 October - 20 December); and Breaking News: Contemporary Photography from the Middle East and Africa, Fondazione Cassa di Risparmio Provincia di Modena, Italy (28 November - 13 March).

LATEST WORK

LATEST EXHIBITION


PREVIOUS EXHIBITIONS / WORKS

PUBLICATIONS

BIOGRAPHY
Tillim was born in
Johannesburg in 1962 and lives in Cape Town. He started photographing professionally in 1986, working with the Afrapix collective until 1990. His work as a freelance photographer in South Africa for the local and foreign media included positions with Reuters between 1986 and 1988, and Agence France Presse in 1993 and 1994. Tillim has received many awards for his work including the Prix SCAM (Societe Civile des Auteurs Multimedia) Roger Pic in 2002, the Higashikawa Overseas Photographer Award (Japan) in 2003, the 2004 DaimlerChrysler Award for South African photography, the Leica Oskar Barnack Award in 2005 and the first Robert Gardner Fellowship in Photography from the Peabody Museum at Harvard University in 2006. His work was included on Documenta 12 in 2007 and the São Paulo Bienal in 2006. He is included in the photographic survey Vitamin Ph (Phaidon, 2006). Full CV

Also see http://interviews.amagazine.org to read an interview with Tillim by Corin Hirsch (published by a.magazine)
Click here to read an interview with Tillim by Peter Machen (published in the Natal Witness).

http://www.michaelstevenson.com/contemporary/artists/tillim.htm

http://www.revistasculturales.com/revistas/108/exit-express-revista-de-informacion-y-debate-sobre-arte-actual/num/54/


66 comentarios:

Blach Barroço dijo...

"Oniria y mixtura en la esculpcriptura cavecana"

Una nuá ínitoro en responso epistológico y epistemológico a la inquietud del sereno impresor cipangués Mosessba San remitida y otografíada por Consuelo da Gámaba.


de: "Metiendo zarpa en altas horas a las sobras de ayéznigo" Noelio 2010

Blach Barroço dijo...

Abrajo poe, endi que hastarnuo

Blach Barroço dijo...

Wax tarade...

Tien relore??

Ken dijo...

Eh! Wox didas!!

Ken dijo...

Advierto agora cai new intro mágrico

Ken dijo...

Biá B

Ken dijo...

Bach & Chíllerat!!!

Ken dijo...

Huó huó huóooooo!!!!!!

Ken dijo...

Bach and Lauréat!!!

Ken dijo...

Huó huó huóoooooooooooo!!!!!!

Blach Barroço dijo...

Primero de to...

decir que agora mesmo no me jirgan aqu´´i en el portatil las tildes, cosa que me me mosquea sumariamente.

Segundo:

was tarade mas bien nox y´´a...

coño ya que no me va el teclao..

o va quando quiere...


Tercero:

11 COMENTS YAAA...!!!

Blach Barroço dijo...

Ya me rillado con Ken, que Sha leio las paginas manuscritas carmesiles.

Tambien pone Consuelo que ha leio el articulo del Deibi Mossesban y es muy loatorio paral cine nuo carpetoveton, con palabra dicha ad pedem litera y que enuncia a su B nuesa taluba del monjar.

Blach Barroço dijo...

Taluba del Monjar


Mun. de Cavecania, partido jud. de Palangar del Sitj.
Densidad: doble cero
Altitud: 803 m.
Tres habitantes fijos.
19 variables.

Blach Barroço dijo...

Taluba del Monjar


acho, ahi que dir palli.

Blach Barroço dijo...

Bach and Lauréat!!!


Impresionante asociacion sintagmatica de Ken.

Nuo prosema sustantivo que añadir a la compilacion.

Blach Barroço dijo...

De eso se trata en esta initoro...

Lalo lo capta como gineta del bosque mediterraño.

La espiral cavecana pasa de la patina del cabejon dombosquiano al sulfuro del bronce netico en un plisplas teneporal, desafiando el vacio esculcriptorico lastrado por aguilas culebreras y milanos pablitos, en un diorema conico multivisual de celuloide multifacetado

Mow dijo...

Grapcias mil del impresor cipangués a tan singular intro dedicada.

Mow dijo...

Aunque debo confesar y confierso quen más de un momento me he perdido una mijina.

Mow dijo...

Leído el improvisado texto sangrante y la intro no manuscripta.

Mow dijo...

Intuido el hilo conductor uno descubre sorpresas inesperadas.

Mow dijo...

Sin duda alguna el Lumumba del monumento capetowniano o carpetovetónico yojanesburgués no es tal, sino Milano Bonito, quien posó para la ocasión en algún bóholo lejano.

Mow dijo...

Y desfile de figuras insignes de la plástica contempopránea.
Que si Brancusi, que si Bellmer, que si Ray, que si to.

Mow dijo...

E Yves Klein saltando al vacío en arriesgado símbolo del antivértigo vanguardista.

Mow dijo...

Y todo enmarcado/arropado/envuelto por una salida rápida (Exit Express, que da salida a la mágica confabulación photográphicoesculptórica.

Mow dijo...

Ole ahí tus napias.

Ken dijo...

Achio, qué difícil de ler es el manuscripto carmesil

Bettsabé dijo...

Bettsabé qué pone

Bettsabé Moochow dijo...

Pos dllork sí que lontiendo

Comosijuera dijo...

As praiaaaaas, as nossas labraaaaas

Stanochie dijo...

Mola, la estreddia zapatera

Laúl dijo...

Y el sobaco ausente

Timabé dijo...

Anda, que no hay magro aquí, ni ná

Beeeettsabeeee dijo...

Y eso cai uno que paije Chuky (el muñeco diabólico) un tanto envejecío

Beeettsabee Moooooochooww dijo...

Dacuerdo con el artista en lo de Creo que el enlace expositivo y la suma de elementos en discordia es unos de los pilares fóllicos más caudales del armazón espiritual cavecano, tanto bravwembar como gallumbaro, conllo dllá

Blach Barroço dijo...

Wax tárade que son ya mards de lards dós, en croqueto lards cuatro casi y aún no he jalao....b

Blach Barroço dijo...

A B si puá cer un croquis de esta intro pa no perderme.

Se podría considerar una concatenación de aconteçeres sin baremo de poliintroitación.

Creo que sobra la primera página del semanario y la portada de la revista que saqué de la Librazteka Púbical Cavecana - Stanttèria Maríllaca...

Blach Barroço dijo...

SOIRÈE JUSTIFICATRIZ DE TAL ÍNITORO


"Si bien es cierto que la foto del descampao con el busto del Milano Afrikaner me descompuso en una vicción más que inmediata, el daguerro de la pre-salesianización y del comedor alcanzó mis fibras mas sinápticas.
Somos jénete di májenes.
A ello nos han avocado nueso, nuesos surs ojos misericordioso, avutarda nuesa"



Consuelo da Gámaba - Diario carmencil

Blach Barroço dijo...

SOIRÈE JUSTIFICATRIZ DE TAL ÍNITORO


"Si bien es cierto que la foto del descampao con el busto del Milano Afrikaner me descompuso en una vicción más que inmediata, el daguerro de la pre-salesianización y del comedor alcanzó mis fibras mas sinápticas.
Somos jénete di májenes.
A ello nos han avocado nueso, nuesos surs ojos misericordioso, avutarda nuesa"



Consuelo da Gámaba - Diario carmencil

Blach Barroço dijo...

Ha salido 2 veces.

Bueno, no pasa ná...

Blach Barroço dijo...

Tambien sobraría el busto milánico grandote, que no tiene que ver nada con la expo. que nos ocupa.

Creo que una foto que tiene una bombilla, lámpara u lo que juere me páie que e dell Brancusi, no ma gay,s muito de caso...

Blach Barroço dijo...

Lo que sí poe de de de detener interés plástico poe ser un paseo comol que yo me dao - es pa tener tiempo - por los link que he visitado para buscar el daguerro concatenator de milanesadas por el intre-arremphet.

Blach Barroço dijo...

Emito desde Potatoe de Ordenador de Pared y tarda un guebo en ir de gueb en güev.

Esta madian me ha pegao el chispazo definitivo el vetusto potátil.


A ve si encuentro pahí un cacho ordenador por 40 o 50 leuros, más no me poe endegastar...

Blach Barroço dijo...

Páijeme que me sué quedao sin potactil.

Demasiao duró el porbe..!!

Blach Barroço dijo...

No jirga ni patrás.


Emito desde la Potatoe MS 2...


Lentísimo pero inseguro.

Saludos pra tox, poe, hastarnuo tamien tengamos agnio buó.

Blach Barroço dijo...

Cambio y corto, hastarnualmente.

Blach Barroço dijo...

Hoé, hoé...

45 comensarios..!!

Inaudito..!!


Poe...!!

Mow dijo...

Júrote que he abierto con el palabro "quita". Hacía mucho que no me salía un término tan clarito.
Y por cierto, no quites imágenes, que no sobra sodio. Es muy atractente el ir daquí pallá en vuelo sin motor e intentar averiguar los vericuetos que han llevado al conspicuo recorrido.
Redichostoy, Knyá.

Mow dijo...

Sí ques el Pájaro de Brancusi el de la foto destellante. Era fanstástico el tipo.

Mow dijo...

¿El Gay hace Tilín?

Mow dijo...

Sí que me gustaría tener tiempo para esos paseos mnavegantes por las abuas de la web, pero tengo ue controlarme, porque tempus fugit y tengo muchas cosas pendientes de las orejas.

Mow dijo...

Lotro día escuché un monólogo humorrístico brutal de bueno del questoy buscando el enlace para ofrecéroslo, que merece la pena.
AB si puedo.

Mow dijo...

Siento mucho lo de tu ordeñata. Tacompaño nel sentimiento. Haremos un responso en su honor.
En linternete suele haber ofertas de paratos desos que desechan los que quieren estar a la última.
O si no, seguro ken (y Barbie) alguna tienda dinformática les llegan paratos en buen estado aunque sean de segunda.
Echa un vistazo a las ofertas en la web, que quizás surja algo.

Mow dijo...

Mvoy acostá, que ya no púo plus.

Mow dijo...

Aunque croke gorveré maniana o pasado, antes de cacabel año, por si escaso, que tengáis Felices Fiestas y Próspero Merimé.

Mow dijo...

HNP,C

Ken dijo...

Sacabal anio

Ken dijo...

Custés lo pasen bien si no venís pakí

Ken dijo...

Yoscribo poco acatuálaménete, perosque no sé qué conhoya pasa, que K B que me pongo vienalguien a decirme algo

Mow dijo...

Meto brevintroito de despedida anual, que la ocasión lo merece. Breve porque no tengo mucho tiempo, pero muy sentido.

Mow dijo...

No os perdáis la última entrada de Deivid en su Blog enlazado, que se ha pegado un curro descomunal enlazando a lazo las pelis de este año y le ha quedado de lo más chulo.

Mow dijo...

Abrazos para Habbo, Sha y otros cavecanos ilustres en la retaguardia.

Mow dijo...

Y especialmente para mi Blaki y mi Paco, sin cuya amistad y continuidad esto de la Tabula no tendría sentido.

Mow dijo...

Sus quiero. Un abrazo.

Blach Barroço dijo...

Viva el querel hastarnúo y sémperez Poe

Blach Barroço dijo...

Viva el querel hastarnúo y sémperez Poe

Blach Barroço dijo...

Poseso ...

ondandaráll Lailo Apohoyado ?

Un abrajium berso pael allá aonde esté..!!